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Celine Arp Project Necklace in Vermeil

5000 EUR

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GOLD

460VD6SIV.35OR
  • JEAN ARP WAS A FOUNDING MEMBER OF THE DADA MOVEMENT. A POET AND SCULPTOR, HE WAS AMONG THE FIRST ARTISTS TO EXPLORE ABSTRACT FORMS THROUGH A VISUAL LANGUAGE INSPIRED BY THE SPONTANEITY OF NATURE. ARP DREW “WHAT RESTS, SAILS, MATURES, ASCENDS, FALLS,” ULTIMATELY IN THE PURSUIT OF BALANCE.

    IN THE 1950S, INSPIRED BY HIS SEVERAL TRIPS TO GREECE, ARP CREATED A SERIES OF SCULPTURES AT HIS HOME-ATELIER IN MEUDON-CLAMART. ENTITLED PTOLÉMÉE, THESE WORKS IN THE ROUND BROUGHT VOLUME AND VOID TOGETHER IN PERFECT HARMONY. COMPLETED IN 1958, PTOLÉMÉE II REMAINS AN EMBLEMATIC MASTERPIECE THAT HAS BEEN EXHIBITED IN THE MOST PRESTIGIOUS MUSEUMS AROUND THE WORLD.

    THE CELINE BIJOUX D’ARTISTES PROJECT IS INTENDED AS A COMPENDIUM OF ARTWORKS BY THE GREATEST ARTISTS IN THE HISTORY OF THE AVANTGARDE. THESE JEWELLERY PIECES, CRAFTED IN SILVER OR VERMEIL, ARE
    PRODUCED ON DEMAND AND IN VERY LIMITED SERIES OF 50.
  • Total length 33 IN (85 CM)
    Pendant Dimensions: 1.34 x 2.45 IN (3.4 x 6.2 CM)
    Vermeil : 925/1000e Sterling Silver plated with 5 microns of 24K Gold
    Nickel Free
    Engraved Arp and Celine Signatures
    Hook system
    The necklace offers different wearing possibilities with an adjustable metal chain
    Reference : 460VD6SIV.35OR

CELINE ARP PROJECT

THE CELINE BIJOUX D’ARTISTES PROJECT, PARTICULARLY MEANINGFUL TO HEDI SLIMANE, IS INTENDED AS A COMPENDIUM OF ARTWORKS BY THE GREATEST ARTISTS IN THE HISTORY OF THE AVANT-GARDE. THESE JEWELLERY PIECES, CRAFTED IN SILVER OR VERMEIL, ARE CUSTOM PRODUCED IN VERY LIMITED SERIES OF 50. 
 
FOLLOWING THE «COMPRESSIONS CÉSAR PROJECT» IN 2020 AND THE «LOUISE NEVELSON PROJECT» IN 2022, CELINE NOW DEDICATES THIS NEW CHAPTER TO JEAN ARP. THIS UNPRECEDENTED JEWEL, FAITHFULLY REFLECTING THE SCULPTOR’S ORIGINAL ARTWORK, IS AN EXCLUSIVE MADE-TO-ORDER EDITION IN COLLABORATION WITH THE FONDATION ARP. 

ARP WAS A FOUNDING MEMBER OF THE DADA MOVEMENT. A POET AND SCULPTOR, HE WAS AMONG THE FIRST ARTISTS TO EXPLORE ABSTRACT FORMS THROUGH A VISUAL LANGUAGE INSPIRED BY THE SPONTANEITY OF NATURE. ARP DREW “WHAT RESTS, SAILS, MATURES, ASCENDS, FALLS,” SEEKING BALANCE BETWEEN HEIGHT AND DEPTH, LIGHT AND DARKNESS, THE ETERNAL AND THE EPHEMERAL. IN THE 1950S, HE CREATED A SERIES INSPIRED BY SEVERAL TRIPS TO GREECE. WITH THESE SCULPTURES, ENTITLED PTOLEMÉE, VOLUME AND VOID MEET IN PERFECT HARMONY AS YIN AND YANG IN THE ROUND. COMPLETED IN 1958, PTOLÉMÉE II BUILDS UPON PTOLÉMÉE I WITH ARP ADDING AN ARM TO ITS ROUNDED FORM. TODAY, PTOLÉMÉE II CAN STILL BE FOUND AT THE ARTIST’S HOME-ATELIER IN CLAMART, WHERE THE FONDATION ARP IS LOCATED, AND HAS BEEN EXHIBITED IN THE MOST PRESTIGIOUS MUSEUMS AROUND THE WORLD. 

AS WITH CÉSAR AND NEVELSON, HEDI SLIMANE CHOSE ARP FOR THE UNIQUENESS OF HIS WORK. THIS JEWELLERY SERIES HIGHLIGHTS BOTH THE ARTIST’S TECHNIQUE AND SIGNATURE. THE JEWELLERY ADAPTATION OF PTOLÉMÉE II REQUIRED NUMEROUS ATTEMPTS AT CASTING TO RECREATE THE FULLNESS, CURVES AND NEGATIVE SPACE OF THIS SCULPTURE IN THE ROUND THAT SHIFTS IN PERCEPTION ACCORDING TO THE POINT OF VIEW. 

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